-TEKS included for language arts in theatre are also on the Website
-lesson about trying to encourage students to take a risk and that
there is not a right or wrong in the creative process.
-re hearsal (emphasis on re because we do it again and again) if we didn't need to redo it, it would be called a hearsal!
-Evaluating and replaying and that needs to be okay for your students.
-Telling a story through movement and drama
- 1. Divide into partnerships (it's okay to stack the deck for success) when determining who should and should not work with each other.
2. Supply them with written synopsis (on the website)
3. Define Synopsis-Story line or plot of what is written down in a script
4. Students may not know what a play looks like in written form. Pairs of kids will read script in partners together. Have dictionaries available for reference.
5. Have them make a prediction about something they might observe at their upcoming trip to the theatre based on what they now know about the story. (May be intimidating for some) Tell them there is no right or wrong way to predict what they will see on stage because each play is different.
6. Explain perspective and point of view with directors' differences, dancers from different training styles, etc.
7. Might want to give groups that need more direction in the above activity, a question to focus on to direct their thoughts...7 questions online.
Ex. Who do you think the main character will be?
Ex. How will clouds be used in the production?
Ex. How will the theatre show the family traveling down the river?
Ex. What will...
7. Post show: Look at how Mozart mastered instrments so quickly (keyboard vs. piano ex.)
8. Word of mouth and its credibility and how it plays into Mozart's career.
9. How would they define what is genius or amazing for one's age or time?
10. Review scene where he meets the three maestros (styles of playing and personalities)
11. Discuss how they fit their musical names. (8 questions online)
Ex. How did maestro staccato speak?
Ex. What volume level did maestro Fortissimo use?
Ex. What personality type reminds you of maestro legato?
Ex. What does the volume of a character or how a character moves tell us about what their thinking or feeling?
12. Ask students to think about how they move in sounds?
13. Ask if we all move and think the same way?
14. Have students make a list of 5 or 6 adjetives that describes your voice and/or personality...
15. On the back of paper, list of adverbs of how you usually move through space
16. Have partner's share and give them a maestro label
17. Might want to model for the students first
18. Have them write a paragraph including new words and at least one maestro character.